I love the show Law & Order…I’m old school though, I like the original more than the spin offs. But even the spin offs kept the Done Done sound effect. You know the one…the Done Done sound as scenes change? What is it about that Done Done sound that is so…resonant? It is recognizable by so many people. Odds are pretty good that if you say, “Done Done” to someone and use the same tonal quality that you hear on the show, he or she will get the association.
Recently there have been many folks on the Listserves that I am subscribed to sharing the unthinkable with each other. I will not mention their names at the risk of breaking any confidentiality codes; but these are brave, powerful, competent women, accomplishing massive amounts of tasks, admitting that they are, Goddess forbid, tired. Our To Do lists continually grow and occasionally they will be checked off to zero; but by morning (what happens during the night that adds things to the To Do list?) we arise to a whole new list of things that need to be Done Done. In previous posts I have kvetched about my FATigue and shared some of my own concerns regarding my tendency to over-commit to pro bono activities and you, my devoted readers, have been supportive every step of the way. But I don’t like to complain…venting and expressing feelings is one thing. I am a firm believer in EXPRESSION over REPRESSION; but griping without problem solving is just not my style, so THIS week I found a way to “turn my frown upside down!”
THIS week I found a whole new use for the idea of Done Done.
THIS week I experimented with a new tracking system and transformed my To Do List into my Done Done List.
I realized that by constantly focusing on what I haven’t done yet resulted in feelings of stress and anxiety. Even worse it tapped into an old belief system of not being or not doing enough. Does that sound familiar to anyone? The quest for perfection is behind so many of our struggles with body image and was often planted in our psyches during childhood. And sometimes those feelings can re-emerge despite the amount of therapy and mindfulness we have used (or use) to maintain a healthy sense of self. But noticing what I have gotten Done Done reinforces a healthier aspect of my self-esteem. The part of me that knows that I am working hard, doing my best, and am enough the way I am right now. It helps me remember that each day has been filled with accomplishments and self care. (Yes I even mark down when I have taken breaks, soaked in the tub, or watched an episode (or two) of Law & Order. Of course I still write things down that I need to remember on my palm pilot because I don’t want to forget an important deadline or appointment and my memory just isn’t what it used to be.
In looking back over the past week, I think the experiment was a success. It was helpful for me to focus on what I got Done Done and savor my accomplishments as opposed to my lack of enoughness. So stay tuned for Dr. Deah’s personalized Done Done note pads soon to be available on my website! (I can’t wait to write that one down on my Done Done list!
And keep your eyes open for upcoming posts about the wonderful artwork of Ada Breedveld and activism work of Fatima Parker and Angela Meadows. No need to put it on your To Do List though, you can just put it on your Done Done List after you have read your latest copy of Tasty Morsels.
Til Next Time,
Each year I take great pleasure in helping to spread the word about the National Organization for Women’s (NOW) Love Your Body Day campaign. (This year it is on October 14). Of course in “Dr. Deah’s Hollywood” every day is Love Your Body Day ! Women and men, girls and boys can live their lives in harmony with their bodies and appreciate them for all of the marvels they accomplish for us each and every day! In “Dr. Deah’s Hollywood” the norm is accepting that variety in our bodies is as magical as the variety we find in the natural shapes and sizes of other creations of Mother Earth. But sadly, that is not yet the reality for most people for a variety of reasons. One of NOW’s primary reason for the toxic body hate that infects so many of us is the media and the visual images they use that dictate not only the importance of physical beauty but a narrow definition for what is considered beautiful. This definition typically does not include people who are “too fat” with the criteria for “too fat” being an impossible standard to attain without engaging in dangerous and unhealthy lifestyle choices regarding food and exercise. And lest we think this is just an American obsession, we don’t have to look very far to find that this mandate of thinness has crossed the borders into other continents as well. But along with the oppression comes the rebellion and in my opinion there appears to be a wonderful trend of size acceptance activism also crossing into other parts of the world.
In my recent post, Oceans Aweigh, for the Fierce Freethinking Fatties website I wrote about the Fat Acceptance Movement in Europe and had the pleasure of introducing the readers to Gisela Enders, founder of the fat acceptance group Dicke e.V. in Germany. Gisela reminded me that although Europe is a single continent each country within Europe is a unique, separate entity and she couldn’t speak for all European organizations that are challenging the cultural pressure on women to be thin. And so, with that in mind I began a project to seek out and interview people throughout the world (starting with Europe) who are involved in promoting a diverse representation of body types as positive whether it be through their artistic expression or political activism. Needless to say what started off as a summer trip to Europe and a speck of curiosity has now snowballed into a treasure hunt for me as I find more and more people who are working at changing paradigms and helping people feel better about themselves. So over the course of the next few weeks, in honor of Love Your Body Day, I will be introducing you to some inspirational women doing wonderful work in the UK and in Holland. Today I would like you to meet Susan Ruiter, an artist in Holland.
Dr. Deah: Hello! I saw your wonderful work in the Galerie van Eijck over the summer. I am fortunate to be able to visit Holland in the summers for the North Sea Jazz Festival but the rest of the year I live in California and write a blog about body image and size and fat acceptance. I was wondering if I could do a short interview with you about your work for my blog? I look forward to hearing from you and hope you say YES! Thanks for your time!
Susan Ruiter: How nice that you come to Holland every year and enjoy it so much! Maybe next year you can visit my studio (near Rotterdam).
Dr. Deah: I appreciate your invitation and would love to! And thank you so much for taking the time and participating in this interview. If you don’t feel like answering all of the questions, I understand. Time is a precious commodity for all of us these days so please feel free to choose which of these questions you would like to answer or if you have something else you would like to say/share with us about your path as an artist please feel free to add it.
Q1: One of the hats I wear is as an Art Therapist. When did you realize that art was important to you as a means of expression. Was there a specific aha moment; or was it a gradual process?
A1: It was a gradual process. I was, from an early age, engaged with creating clothing and art. The style that I am making now was gradually formed. I have been painting these ladies now for 14 years.
Q2: The art work you do is so beautiful, who were some artists who influenced your style?
A2: Thank you! I am most inspired by the world famous artist Ferdinando Botero from Colombia. Only I use round shapes for the colorful ladies and my paintings are always cheerful.
Q3: The shapes and sizes of the women you paint are big and beautiful and feel very positive. Has the subject of body acceptance or size acceptance been a part of your work intentionally? Why do you choose to do paintings of big curvy women?
A3: Why curvy women? My whole life I love to draw and paint people. The preference for women is because they have beautiful curves. A lot of women have beautiful curves somewhere. I like to emphasize them, In a positive way. The women in my paintings are cheerful and positive in life. It is very important to be happy with yourself.
Q4: Do you have any opinions about how the media depicts women’s bodies?
A4: I think it would be good to show more, well-dressed, fuller women in the media.
Q4a: When you wrote that you think it is good for people to be happy with themselves and that the media should draw fuller well dressed women, Do you see yourself as defiant or radical because you are challenging the images that are usually shown of women?
Q5: Do you think that Holland has a more accepting attitude towards diversity of body size for women than The United States?
A5: I can not really give my opinion on that. I think that it is becoming more accepted in Holland. There is more attention for it, even in the clothing industry. There is a difference between beautiful shapes and obesity. It is very important to pay attention to your health.
Q6: There is some research that shows that sometimes an obese person can be healthier than a thin person. Have you heard of anything that supports that theory at all?
A6: Of course, heavier persons are not necessarily unhealthy and there are many unhealthy thin people. Think about smoking, alcohol, etc.. For all these risk groups, special attention is important. It is important that in every person, any size whatsoever, there is something beautiful and does not need to be distracted by the image that the media (often) displays. Self-confidence is one of the best things someone can have.
Q7: Where can people find out more about your work?
Q8: Is there anything else you would like to add?
A8: Almost all of my work consists of original paintings and are constructed with high quality acrylic paints and mediums on heavy linen. There are a few screen prints for sale. This makes my paintings quite scarce and is each painting unique. Three weeks ago I opened my own gallery with new studio space! To celebrate this new beginning I created a number of works that acknowledge Breast Cancer Awareness month, my Pink Ribbon Collection! These will be auctioned off through my website.
Thank you so much Susan. Your work is important and adds some much needed joy to the world! I look forward to visiting your new gallery this summer!
I hope you enjoyed my “chat” with Susan Ruiter. I find her paintings absolutely delightful, what do you think? In the upcoming weeks I will be sharing the works of several other Dutch artists and two activists from the UK!
If you know of anyone you would like to let us know about please share!!!
Til next time,
***OTHER NEWS!!! ON OCTOBER 25TH IN OAKLAND CALIFORNIA*** PLEASE JOIN US FOR THIS ONE DAY EVENT:
NEW TOOLS OLD OPPRESSION
I will be presenting along with: Sonya Renee Taylor, Performance Poet
- Keynote on Weight Stigma by Dr. Deb Burgard
- Diverse Experiences of Weight Stigma: A Panel moderated by Jessica Wilson
- Expressive Arts Activities led by Dr. Deah Schwartz
- Embodiment Explorations facilitated by Fall Ferguson
- A Fat Flash Mob Experience with Juicy D. Light
Location: James C. Irvine Foundation Conference Center, 353 Frank H. Ogawa Plaza, Oakland, CA 94612 *Registration deadline: Monday, Oct. 20, 2014*
Anyone interested in health, weight, and wellness will find value in Lucy Aphramor and Linda Bacon’s new book: Body Respect: What Conventional Health Books Get Wrong, Leave Out, and Just Plain Fail to Understand about Weight. Whether you are already a proponent of the Health at Every Size® approach, on the fence, or convinced it lacks merit, you are doing yourself a disservice not to read this book from cover to cover. The authors manage to combine their separate voices into one as they deliver the latest most up to date research on the efficacy of HAES®, the importance of a weight neutral approach to wellness, and why we need to give up ineffective fad diets in order to change our natural body types. Bacon and Aphramor resist the temptation of weighing their points of view down in too much rhetoric or “preachy” diatribes and opt to share their research and insights in a casual conversational style. After reading the book, I was delighted to be able to pose some questions to Lucy and Linda about Body Respect and I would like to share their responses with you!
Interview with Lucy Aphramor, with support from co-author Linda Bacon
Q: What would you tell someone who knows nothing about what Body Respect is about, and what would you tell someone who is already familiar with HAES and are wondering why they should read this if they already read Linda’s first book, Health at Every Size?
A: People come to HAES through different routes. Those who have come across HAES as an answer to a lifetime of failed dieting often know HAES through the personal rewards of being at peace with food and our bodies. These readers may be familiar with Linda’s first book and the self-care aspects of HAES covered in detail there. Her fan mail attests to this being life-changing and it offers HAES as a turning point to the emotional havoc wreaked by body shame. It’s an invaluable “how to” for people wanting out from the misery of dieting, teaching mindful eating, enjoyable movement and self-acceptance robustly supported with science.
For others, the appeal of HAES is that it offers a way to bridge this compassionate self-care with attention to social justice. This framing of HAES puts our relationships – with self, other, society and environment – to the forefront when talking health. Now we can help people make sense of how life circumstances influence health outcomes. These readers may be familiar with Lucy’s Well Now course that constructs HAES as a deep movement and will recognize concepts such as allostasis, relational nutrition, active embodiment and binary thinking. In short, Body Respect embraces the three pillars of HAES that support personal change around food, fitness and size acceptance and shows how these apply within a framework that has equity and respect as cornerstones.
Another key difference between the books is their length. Body Respect is intended to be a short, accessible guide, great for quickly getting people on board with HAES. Turn to Linda’s first book for more background storytelling.
Q: Do you have a favorite part of the book?
A: Skip right through to the end section and the story of Janet going to see her HAES nurse practitioner, Billie. You really get a sense for the combined power of compassion and good science in action. The capacity of compassion to move people towards self-care speaks for itself in this vignette. Moreover, we get a feel for how the ethos of non-judgment is fostered by Billie’s approach. First, she helps Janet take her emotional knowing and her other embodied, and everyday life experiences seriously. Second, she draws on the science to arrive at a more accurate, and holistic, explanation of high blood pressure which allows her to offer a response that is more relevant. This response surfaces oppression as a health variable, leading Janet to new insights that help her make sense of her condition and potentially impact her friends and family. This is empowering in the true sense of the word; it offers hope and vision for political action to address inequity. By contrast, the nurse practitioner who treats Janet from a weight-centric view, while just as committed to patient welfare and professional integrity, ends up along a trajectory of blame and shame as the only explanation she can imagine for Janet’s continued raised blood pressure is non-compliance with lifestyle change recommendations. The frustration on both sides is palpable, and the harm occurs directly, through missed opportunity and in the terrible sequelae of silencing and disempowerment that maintain the status quo.
Q: Are you working on any other publications that you would like to let people know about?
A. We’re glad you asked and yes, we’re excited to be working on two further collaborations. One is a revised version of Linda’s first book, updated with new data and behind-the-scenes stories, and presented more as a step-by-step how-to. The book will be easily adaptable for therapy or support groups.
The second is tentatively called, Eat Well: For Yourself and for the World, which delves deeply into nutritional science with chapter headings much along the lines of a typical undergraduate dietetic textbook. No prizes for guessing for some of the things that make it different from comparable mainstream books are a weight science chapter from a HAES perspective, plus attention to sustainability. We’re also concerned with how oppression directly affects individual metabolism and therefore contributes to avoidable discrepancies in health outcomes from conditions misleadingly referred to as “lifestyle” diseases. And it also moves more consciously to use a relational and embodied framework to talk about nutrients and bodies and how we make food choices rather than the reductionist and prescriptive framework commonly adopted in nutrition and dietetic books.
Q: Where and when can people purchase Body Respect?
A. First try your independent local book seller … Failing that, it’s now available in all the “usual places” including Amazon. Our website provides links to the various vendors. There’s also a link for educators considering it as a textbook supplement for adoption. The link for ordering a review copy can be found on Lucy and Linda’s website.
If anyone would like to share their impressions of Body Respect, please feel free to do so in the comments section.
Weight Stigma Awareness Week is coming up on September 22nd. To find out more about it CLICK HERE. In honor of WSAW, anyone who orders Dr. Deah’s Calmanac during that week from my website will receive a free refrigerator magnet with the Sassy Size Acceptance Slogan: “My only weight problem is YOUR problem with my weight!
Til next time,